The Resonator is fairly formal but never *too* rigid with panel choices. No speed gains here, but perhaps a message that full custom has its place. This works with the particular comic really WELL though, because he draws himself in closeup, talking, a LOT.ĭAR and Narbonic both are webcomics mashed into book format, but both worked surprisingly well as page layout in the end.īlacksad is REALLY variable and the page layouts are hand-crafted on a per-page basis. Scott McCloud uses a 4x3 sliceup of the page, and it’s four VERTICAL slices and three HORIZONTAL ones, which is weird because it makes the panels, on average, LESS square. * There are actually a LOT of possible combinations. * Extremely weird comic panels CAN work, but when it fails it looks painful and forced. * You can get away with smaller panels than you think I came away feeling like I’d learned a little less than I’d hoped, but here are some takeaways: Inspired by this awesome post about making comics quickly, I took a look at some comics I own to get some sense of different kinds of panel design choices. I still spend money on shoes but the wealth is spread a lot more.įollow Tyree on Twitter and Instagram: by: Joel Kuwahara ![]() Spend way too much money and/or camp out for them LOL. What’s the craziest thing you’ve done for a pair of sneakers? A LOT… Almost as much as I love painting and drawing. In my opinion, music is the strongest of all the arts because song is more interactive and can travel further than visual art can. What is one skill or talent you don’t possess but wish you did-and why? I have no idea who his character would be but something/somebody to give it a different energy. Who would you invite to be a guest voice on “Bob’s Burgers” if you had the choice, and what would their character be?ĭave Chappelle. Anything I’d do differently would just be to do it sooner. I would have learned how to animate sooner and I would have learned how to paint with paint brushes sooner. If you could go back in time to when you were a young budding artist, is there anything you would want to do differently at the start of your career? It’s like being a photographer…but without a camera. You just have to be keen enough to catch them. There are moments to be reflected to art all the time. Just from living and being VERY observant. Where (or from whom) do you find your artistic inspiration? ![]() So, my hand hurts a lot because I’m always sketching or doing something art related. I’m not one of those artist who works and then turns off the art button when I get home. Seriously, doing ART is like BREATHING to me. How do you juggle a full-time job as a director, create new comics for “SN’EADS,” do freelance side gigs, and keep up with your Instagram feed and respond to tweets? Making lateral adjustments instead of forward improvements. What’s the most challenging thing about your job as an animation director? The best part is being able to make the characters come to life. What’s the best thing about being a director on “Bob’s Burgers?” A month after I graduated from CSUN, I got a call from Walt Disney Television saying they saw my cartoon on Atomfilms and had an animated project in development with Family Matters star, Jaleel White, that could use my style. Meanwhile, I was studying for the LSAT exam to go to grad school to become a lawyer. While finishing up my undergrad in English at CSUN, I took animation electives and produced a student film called “HIPHOPOLIS” that was distributed that summer online on. How did you get your start in the animation industry? Meet Tyree Dillihay-director on “Bob’s Burgers” and creator of the popular web comic “SN’EADS.”
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